Read The Boy in the Striped Pajamas by Boyne John Hardcover John Boyne 9780385751063 Books

By Barbra Burks on Tuesday, May 28, 2019

Read The Boy in the Striped Pajamas by Boyne John Hardcover John Boyne 9780385751063 Books



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Download PDF The Boy in the Striped Pajamas by Boyne John Hardcover John Boyne 9780385751063 Books

The Boy in the Striped Pajamas by John Boyne. David Fickling Books,2006

Read The Boy in the Striped Pajamas by Boyne John Hardcover John Boyne 9780385751063 Books


"Bruno is 9 years old. His father has a cool job, he's in charge of a lot of stuff. He runs a big place, with a huge wire fence, and a lot of people—men and boys—on the other side. They are skinny, they work hard, they are all very dirty, they are all wearing what looks like striped pajamas. There are soldiers in there, who poke at and laugh at the men and boys. Bruno has overheard his parents talking, and knows that his father's boss, “The Fury”, is the one who arranged for them to move to the new home. Bruno's older sister tells him that the place is called Out With.

Bruno is Not Allowed to approach the camp, or the fence. But, since he plans on becoming an explorer when he grows up, he decides to Go Exploring (wearing an old overcoat and boots, such as an explorer might wear). And on the other side of the fence he sees a speck. A dot. At tiny thing that, as he gets closer, reveals itself to be a boy. Just another boy, perhaps a boy for Bruno to play with.

This book is startling, horrifying, and yet the story is told in a charming way. Bruno and his friendship with Shmuel through the fence is just the story of two boys, but also a story of a Jewish Concentration Camp, told through the unaware eyes of the son of the man in charge of the camp. Bruno's naivete brings the humanity into the story, and makes it unique. Just a wonderful, scary, suspenseful and at the same time heartrending—story, leading up to a beautifully written climax."

Product details

  • Age Range 12 and up
  • Grade Level 7 - 9
  • Lexile Measure 1000L (What's this?)
  • Hardcover 224 pages
  • Publisher David Fickling Books; First American Edition edition (September 12, 2006)
  • Language English
  • ISBN-10 0385751060

Read The Boy in the Striped Pajamas by Boyne John Hardcover John Boyne 9780385751063 Books

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The Boy in the Striped Pajamas by Boyne John Hardcover John Boyne 9780385751063 Books Reviews :


The Boy in the Striped Pajamas by Boyne John Hardcover John Boyne 9780385751063 Books Reviews


  • Bruno is 9 years old. His father has a cool job, he's in charge of a lot of stuff. He runs a big place, with a huge wire fence, and a lot of people—men and boys—on the other side. They are skinny, they work hard, they are all very dirty, they are all wearing what looks like striped pajamas. There are soldiers in there, who poke at and laugh at the men and boys. Bruno has overheard his parents talking, and knows that his father's boss, “The Fury”, is the one who arranged for them to move to the new home. Bruno's older sister tells him that the place is called Out With.

    Bruno is Not Allowed to approach the camp, or the fence. But, since he plans on becoming an explorer when he grows up, he decides to Go Exploring (wearing an old overcoat and boots, such as an explorer might wear). And on the other side of the fence he sees a speck. A dot. At tiny thing that, as he gets closer, reveals itself to be a boy. Just another boy, perhaps a boy for Bruno to play with.

    This book is startling, horrifying, and yet the story is told in a charming way. Bruno and his friendship with Shmuel through the fence is just the story of two boys, but also a story of a Jewish Concentration Camp, told through the unaware eyes of the son of the man in charge of the camp. Bruno's naivete brings the humanity into the story, and makes it unique. Just a wonderful, scary, suspenseful and at the same time heartrending—story, leading up to a beautifully written climax.
  • I did not like this book as much as I thought I would. Maybe because this story is told from an oblivious nine-years old boy. In terms of sympathies, abhorrence, and overall disturbing history of WWII, the author actually got the atmosphere down pat.

    For the most part, Bruno's voice didn't quite match his age. I have a nephew the same age trust me, he is inquisitive. No matter the time, and how well parents shelter kids from the storm, they still know what's going on. Shmuel and Bruno being on opposite sides of the fence shouldn't have made Bruno unawares.

    Still, I always find some silver lining in reading historical fiction, and The Boy in the Striped Pajamas is not a book that I regret reading. I just wish Boyne had done a better job with Bruno's voice.
  • The story about the son of a Nazi commandant and an innocent Jewish boy is absolutely amazing and filled with tragedy that may cause some to tear up. It talks about both perspectives from the Nazi's and the Jews in which give us a variety of ways we can view what the book is based off of the holocaust. The book is absolutely gut wrenching, both filled with the emotional history and the bond between the two boys.

    The book was published on January 5, 2006 by John Boyne and is under the historical fiction genre. Bruno, the son of the Nazi commandant and his family, moves from Berlin to a residence near a concentration camp. Bruno was sad and lonely due to his lack of friends and walked behind his house where he saw a boy on the other side of a barbed wire fence. Both confused and unaware of their situation, their unlikely bond grew strong.

    Bruno and Shmuel (the Jewish boy) are just as confused as any kid would be. Bruno doesn't know why the fence is there or what it symbolizes and nor does Shmuel. They are completely unaware of their surroundings which prevents one thing from getting in their way fear. Fear causes worry, distraction, emotional pain; things those innocent Jewish prisoners had to go through in the cruel concentration camps. Because there is confusion amongst the boys, it allows the author to explain his message in simple terms so that the readers can fully understand what he's trying to say.

    Boyne has a rather-- interesting style of writing. His writing is very simple and easy to understand, however, he includes secret messages and hints that are hidden behind his simplified terms in which makes it very unique. His tone is very subtle yet can be an emotional explosion and because he mastered the use of how he expresses himself, he uses this to his advantage which makes his writing very captivating.

    Other authors who write historical fiction books, for example Markus Zusak and The Book Thief are different from Boyne’s style. Other’s consist of different perspective on narration or a frequent use of explaining things in the context of the text in which Boyne clearly points out for the readers to identify.

    One thing that the audience should be aware of is how much he emphasises on discrimination. No one should be ashamed of being who they are because of things like the religion they believe in or what color their skin color is. Shmuel along with the rest of the Jews were thrown into concentration camps and shamed on for being Jewish which in no way is a reason to be discriminated for. Discrimination is still a big part of society to this day and sometimes, we might not even notice that it’s happening.

    From reading this book, the message seems to be clear. Everyone should be treated the same, no matter how you look or what you believe in. We should be caring for each other and accepting the faiths and opinions that people follow and are a part of. It allows for more diversity amongst society and makes our everyday lives a little bit more interesting.

    Because Boyne is good at making things simple to understand, I think I would recommend this book to middle school kids. I feel as if at that point, they’ve reached a point of maturity and that they should be aware of the history that happened before them and the things that are still happening in the world. Parents might want to say that it is “inappropriate” for kids at that age but I feel as if discrimination is a worldwide conflict and that informing kids at a young age will better prepare them for the future.

    Will humans completely comprehend the danger and effect discrimination has on people?
    Probably not, but by reading this book, it can give you a clear understanding on why it happens and the things it’s capable of.
  • My son and I read this for his ELA class and we both LOVED it!! Although written for students, it has a storyline that touches all who read it both young and old!! It's got a beautiful storyline of friendship and tolerance...and an ending that will leave you speechless!!! An excellent read!!
  • I read this book with the tears coming down my face. The 'irony' of it all is that Bruno's dad is in charge of the camp and because he knows that his son likes to explore, his son becomes victim of the terrible Nazi regime in the way of how they treated Jews in that particular camp. Hopefully this book is being used in schools and discussed so that this atrocity will never happen again. It sure is an eye opener for everyone and I encourage people(young and old) to read this book.
  • This is a great compelling read although very sad.lt shows the innocence of two boys friendships caught up in the midst of the Holocaust that are unaware of the tragic outcome that their friendship will have.l found it sad but very well written portraying the way Bruno sees the world as well as Schmuel as eight year old boys without having formed hatred on the basis of their being on opposite sides of the fence.l would definitely recommend this book.
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Download Haushaltsbuch Zum Eintragen Finanzen organisieren planen und verwalten Für 12 MONATE Übersichtlicher Planer für Gehalt Kredite Ersparnisse mit Motiv Blumen Vintage German Edition Kreative Notizbücher 9781090513526 Books

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  • Paperback 111 pages
  • Publisher Independently published (March 14, 2019)
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PDF Ce que les bêtes nous apprennent de la politique 9782367510118 Books

By Barbra Burks on Monday, May 27, 2019

PDF Ce que les bêtes nous apprennent de la politique 9782367510118 Books





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Ebook Murder by the Book The Crime That Shocked Dickens London Claire Harman 9780525520399 Books

By Barbra Burks

Ebook Murder by the Book The Crime That Shocked Dickens London Claire Harman 9780525520399 Books



Download As PDF : Murder by the Book The Crime That Shocked Dickens London Claire Harman 9780525520399 Books

Download PDF Murder by the Book The Crime That Shocked Dickens London Claire Harman 9780525520399 Books

"Enthralling . . . A page-turner that can hold its own with any one of the many murder-minded podcasts out there."
—Jezebel

From the acclaimed biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder Can a novel kill?


In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. The missing clue, it turned out, lay in the unlikeliest place what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Lord William's murderer finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines this thrilling true-crime story with an illuminating account of the rise of the novel form and the battle for its early soul among the most famous writers of the time. It is superbly researched, vividly written, and captivating from first to last.

Ebook Murder by the Book The Crime That Shocked Dickens London Claire Harman 9780525520399 Books


""Murder by the Book: the Crime that Shocked Dickens’s London" by Claire Harman, Knopf, 272 pages, March 26, 2019.

This is based on a true crime that happened in London in 1840. Lord William Russell, a widower and uncle to a Secretary of State for the colonies, is found murdered in his bed. His throat was slashed.

Some items were stolen from the house and the lock on the back door was broken. Members of the upper class are terrified because they think the lower class is rising up.

Francois Courvoisier, Russell's new foreign valet, is arrested. He claims he was influenced by a popular "Newgate Novel" titled "Jack Sheppard" by William Harrison Ainsworth. A "Newgate Novel" glamorized criminals. Several pirated plays are based on the book, so everyone was aware of the story.

While "Murder by the Book" is good, there is too much focus on the "Jack Sheppard" book and Ainsworth's friendship with Charles Dickens and others. Claire Hartman did research the time well. She has written several biographies.

In accordance with FTC guidelines, the advance reader's edition of this book was provided by the publisher via Edelweiss in exchange for a review."

Product details

  • Hardcover 272 pages
  • Publisher Knopf (March 26, 2019)
  • Language English
  • ISBN-10 0525520392

Read Murder by the Book The Crime That Shocked Dickens London Claire Harman 9780525520399 Books

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Murder by the Book The Crime That Shocked Dickens London Claire Harman 9780525520399 Books Reviews :


Murder by the Book The Crime That Shocked Dickens London Claire Harman 9780525520399 Books Reviews


  • In our present violence-prone world many people single out video games that simulate crimes and appear to glorify bloodshed, blaming them for making murder acceptable. Some years ago violent TV programs and movies were blamed for the same thing, and before that paperbacks and comic books were held responsible. Claire Harman's excellent history of a crime and its investigation and resolution in 1840 London demonstrates that, as far as people looking for something to blame for violent crime goes, very little has changed.

    Lord William Russell was an elderly gentleman from an aristocratic and powerful family. He led a quiet life in a small townhouse in Mayfair, then as now one of the finest areas in London, collecting art, visiting his clubs, walking his dog, and various other unobtrusive activities. He kept a cook, maid, and valet in his residence, with several other servants on call nearby. His was an unremarkable existence until it came to a sudden and very gory end. He was found dead in his bed one morning, his throat slashed and many of his treasures missing. The newly instituted London police force made a bungle of the investigation but was able to identify the probable culprit as Lord William's valet, a Swiss immigrant, who was duly arrested, put on trial, found guilty, and hanged.

    What makes Lord William's murder and its aftermath remarkable is that it occurred in the middle of a London-wide enthusiasm for a book and play called "Jack Sheppard," about an eighteenth century criminal who was renowned for his many audacious robberies and a string of ingenious escapes from the law. Critics worried that "Jack Sheppard" glorified crime and encouraged copy-cats to emulate his many feats. The controversy went on for years, involving political and religious leaders and including observations from well known authors like Charles Dickens and William Thackeray.

    Harman's meticulously documented and well written account does full justice to both the wider controversy and the individual crime that helped spark it. The full panoply of early Victorian justice, from the first investigations through the trial, which was replete with misconduct from both the defense and prosecution, and on to the eventual public hanging of the valet, is vividly depicted. So are the consequences, which led to the fuller blossomings of both Dickens and Thackeray's writing careers and to the end of public executions in Britain. A very good read indeed.
  • "Murder by the Book the Crime that Shocked Dickens’s London" by Claire Harman, Knopf, 272 pages, March 26, 2019.

    This is based on a true crime that happened in London in 1840. Lord William Russell, a widower and uncle to a Secretary of State for the colonies, is found murdered in his bed. His throat was slashed.

    Some items were stolen from the house and the lock on the back door was broken. Members of the upper class are terrified because they think the lower class is rising up.

    Francois Courvoisier, Russell's new foreign valet, is arrested. He claims he was influenced by a popular "Newgate Novel" titled "Jack Sheppard" by William Harrison Ainsworth. A "Newgate Novel" glamorized criminals. Several pirated plays are based on the book, so everyone was aware of the story.

    While "Murder by the Book" is good, there is too much focus on the "Jack Sheppard" book and Ainsworth's friendship with Charles Dickens and others. Claire Hartman did research the time well. She has written several biographies.

    In accordance with FTC guidelines, the advance reader's edition of this book was provided by the publisher via Edelweiss in exchange for a review.
  • This book is set in 1840’s London and starts out discussing the murder of Lord William Russell in his Norfolk Street home after he retires to bed for the night to do some reading. He is found the next morning by his servant with his head gaping open from the blow of an ax which has been left nearby. There is evidence of coins and a watch taken, among other things. Lord William had previously complained of a locket with his late wife’s picture inside going missing, that he carried all the time. A doctor is sent for, along with the police, and an investigation is begun. There is also a running commentary with certain authors of the day such as William Ainsworth and Charles Dickens about a couple of their books involving criminal characters, and whether or not they encourage people to commit crimes after reading the books or seeing them acted in plays, as some folks have claimed. Kind of like the debate about violent movies and video games today, and whether they play a part in people committing crimes later after viewing them.

    The book is very detailed and gives a lot of connected side information to kind of flesh out the story from just the actual murder. There is also a lot of supposition of various ways the crime might have happened, and who else might have been involved also. It turned out to be a decent true crime book for this time period.
  • I was prepared to love everything about Murder by the Book true crime, Victorian England, and the rise of the novel.
    Unfortunately, I found my attention wandering as I worked my way through the book. The various elements never came together in a cohesive way for me.
    I appreciate the rigorous research undertaken by the author, and think that many people will find Murder by the Book is their cup of tea.
    Thanks to Netgalley and Knopf for the opportunity to read and review Murder by the Book.
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Read Corso pratico dell'Oracolo delle Sibille completo dei "Metodi infallibili" ed esempi Italian Edition Stella Adhara 9781093443073 Books

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  • Publisher Independently published (April 10, 2019)
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  • ISBN-10 1093443073




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PDF User Friendly How the Hidden Rules of Design Are Changing the Way We Live Work and Play Cliff Kuang Robert Fabricant eBook

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  • Print Length 384 pages
  • Publisher MCD (November 5, 2019)
  • Publication Date November 5, 2019
  • Language English
  • ASIN B07HF2M7ZN

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PDF Agatha Raisin enquête 15 Bal fatal Entrez dans la danse AM ROMETRAN French Edition eBook M C Beaton Esther Ménévis

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PDF Das kleine Waldhotel Ein Blütenfest für Mona Maus 9783839849330 Books

By Barbra Burks on Sunday, May 26, 2019

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Read Online Griezmann Ultimate Football Heroes Collect Them All! eBook Matt Oldfield Tom Oldfield

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Read Online Griezmann Ultimate Football Heroes Collect Them All! eBook Matt Oldfield Tom Oldfield





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Download PDF Esotérisme les archanges les anges gardiens les guides French Edition edition by Aurélie CHARPENTIER Literature Fiction eBooks

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Qu'est-ce que l'ésotérisme?
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Download PDF Magic Tricks Sentimental Surreallusion Darin Martineau 9781090443113 Books

By Barbra Burks

Download PDF Magic Tricks Sentimental Surreallusion Darin Martineau 9781090443113 Books





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  • Paperback 184 pages
  • Publisher Independently published (March 13, 2019)
  • Language English
  • ISBN-10 1090443110




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Ebook L'intestino ci fa belli Come avere un aspetto radioso grazie a un intestino sano Italian Edition eBook Michaela AxtGadermann

By Barbra Burks

Ebook L'intestino ci fa belli Come avere un aspetto radioso grazie a un intestino sano Italian Edition eBook Michaela AxtGadermann



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Download PDF L&#39intestino ci fa belli Come avere un aspetto radioso grazie a un intestino sano Italian Edition eBook Michaela AxtGadermann

DESCRIZIONE DEL LIBRO L’INTESTINO CI FA BELLI DI MICHAELA AXT-GADERMANN
intestino

Un intestino sano non solo ci fa snelli e felici, ma può anche aiutarci ad avere un incarnato radioso, capelli brillanti e guarire allergie e altre patologie della pelle. Infatti, la nostra pelle non si ferma alla superficie, ma come mucosa ricopre anche l’intero tubo digerente.

La nostra pelle sembra essere lo specchio del nostro intestino. Le malattie della pelle come acne, brufoli, rosacea, dermatite atopica, orticaria, eczema, pelle secca e spenta, invecchiamento precoce potrebbero dipendere dall’intestino. Un intestino sano gioca un ruolo significativo in questo processo. Solo quando nell’intestino ci sono i batteri giusti la pelle può essere splendente e sana. Non di rado, infatti, le alterazioni della barriera intestinale provocano squilibri della pelle.

L’intestino ci fa belli illustra la relazione tra salute intestinale e bellezza esteriore, ossia tra i batteri intestinali e la flora cutanea, un legame fondamentale anche per rallentare l’invecchiamento, prevenire l’iperacidità e curare la pelle. Infatti, un intestino sano e le malattie della pelle sono strettamente connessi.

Grazie ad una flora intestinale sana, il nostro organismo produce un’enorme quantità di sostanze benefiche, come gli antiossidanti che proteggono dai raggi UV o l’acido ialuronico. Tutti questi elementi aiutano a rendere più bella la nostra pelle, ma i batteri intestinali e cutanei possono contrastare anche allergie, eczemi e infiammazioni, contribuendo così a dare un aspetto più bello e sano all’organo più esteso del corpo umano.

intestino feliceL’intestino ci fa belli mostra come l’intestino sia stato rivalutato e sia al centro di numerose ricerche scientifiche che ne affermano l’importanza per il benessere di tutto l’organismo. La dottoressa Michaela Axt-Gadermann ci guiderà alla scoperta dell’intestino tenue, dell’intestino crasso, dei villi intestinali, della flora batterica e soprattutto dei germi e batteri, che sono anche i responsabili della cura di molte malattie della pelle.

Infine, sarà presentato un programma nutrizionale certificato per un intestino sano, fornendo utili consigli per una dieta amica e una serie di prodotti utili al benessere della flora batterica intestinale, per curare le malattie della pelle. Alimenti adatti e inadatti e ceppi batterici dall’effetto positivo. Potrai così dire addio intestino irritabile e benvenuto intestino felice!

Ebook L'intestino ci fa belli Come avere un aspetto radioso grazie a un intestino sano Italian Edition eBook Michaela AxtGadermann


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Product details

  • File Size 6481 KB
  • Print Length 190 pages
  • Publisher Edizioni Il Punto d'incontro (February 6, 2019)
  • Publication Date February 6, 2019
  • Language Italian
  • ASIN B07NF3S9VH

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Download White Bret Easton Ellis 9780525656302 Books

By Barbra Burks on Saturday, May 25, 2019

Download White Bret Easton Ellis 9780525656302 Books





Product details

  • Hardcover 272 pages
  • Publisher Knopf (April 16, 2019)
  • Language English
  • ISBN-10 0525656308




White Bret Easton Ellis 9780525656302 Books Reviews


  • Though linear, this is a collection of largely unconnected musings on culture and ideological conflict which never themselves directly address politics and policy, whatever legacy boutique media and the organic wine-and-cheese critical establishment say (or spastically shriek) about Ellis' latest work, though there is a common and unifying thread running through it opinions are not facts, facts may rely on unclear or nuanced variables for interpretation, and it's possible to manage social disagreement and dissent about opinions and factual ambiguity without becoming hysterically unhinged. Despite his rather tame and visibly true thesis, and his patently obvious anti-Trump disposition, Ellis has nevertheless spent the last week weathering exactly the sort of predictable, phony and overwrought establishment propaganda his text bemoaned.

    In doing so, I wish he'd delved into the substantive quibbles of our contemporary policy arguments, though it's beside the point of the work, as it would've fleshed out more fully how fake and ridiculous this culture and its corporate minders have become. The cheapest of the shots taken at Ellis in the wake of White was a phone interview with The New Yorker, which began with and was entirely predicated on the fiction that Trump had ever said, "Mexicans are rapists," (words he has in fact never uttered) and Ellis deflected (instead of confronting his interrogator with the truth of the matter), effectively replying that this text is not about sound bite/news cycle politics itself, but the broader cultural atmosphere in which those sound bites and distortions and outright lies exist, perhaps in his reply meta-framing this very issue, and he was dealt with as all critics of legacy media are dealt with, and—I'm sure—precisely as he expected by being falsely painted as a Trump apologist. It would then follow that Noam Chomsky is the greatest Trump apologist who ever lived.

    Interwoven among these riffs on aesthetic and ideological conflict (yet still necessarily relating to those themes) is a fair amount of interesting biographical data, a large part of which was not publicly known or confirmed until White was published the writer and what created him, the person inside that writer, the celebrity projected over that person and his paradoxical loathing of and obsession with the celebrity cult of youth and beauty, the events and artifacts that pushed him this way or that to write on this theme or that topic, inspiration and creativity, the pith and meaning and purpose of art and music and literature, real and true liberty as a precondition of any meaningful creative act (including the freedom to screw up, to fail utterly, to be wrong, to anger an already-angry feminist, to find pain and loss), and these strands of twinned personal narrative and shared social history all somehow ultimately lead into this horrible, boring, technocratic, dystopic and utterly fascist present that seems dead-set on annihilating those circumstances, the very things needed to create a culture worth having. White is essential reading for any fan of Ellis and his work, and instructive for anyone else trapped in this bland corporate media hellhole who somehow has no knowledge of him.
  • This is a tour de force. Swimming against the riptide of Political Correctness, like a tadpole in a Tsunami, Ellis makes you, forces you, DEMANDS that you think for yourself.
  • This book is going to make a lot of people mad, especially those inhabiting the rarefied liberal/progressive world of the "Coasts" and the entertainment industry. As an inhabitant of that social milieu since the publication of his first novel in his early 20s, he is the perfect Thackeray for today's Vanity Fair. He bravely calls out the absurdity of a group of people who profess to be liberal imposing pretty much a groupthink mentality where almost everyone is a victim, being offended is not to be tolerated, and God help you if you DON'T hate Trump - you'll be drummed out of the corps, whatever corps that is. He has a perfectly detached social observer's tone and a true open-minded person's horror of the loss of freedom of speech and freedom of expression that is now espoused by the very party that claim to champion it. Brilliant book, but it will have some reaching for their vodka, their Xanax and their safe spaces.
  • The only book I have read about BEE is Less Than Zero -- though at the time I read it was probably too old for it to actually seem provocative (it was, perhaps, 2009?). Nevertheless, I liked that book and bought some others, Imperial Bedrooms and Rules of Attraction, if I remember correctly. I never could get into either of those books; maybe I'd just used up whatever was in the BEE well on that one book I'd read. That happens sometimes.

    Still, one can't deny the man's cultural influence, he is a celebrity writer of course, one of the few genuine celebrity writers in this year of our lord 2019, when few people can read, let alone pick a writer out of a line-up. On occasion, I might have listened to his podcast, and on occasion I may have also read his interviews. I think I've read more about BEE than I've actually read BEE, if that makes sense. And of course there "American Pyscho," which I have never read though I have seen the movie. The movie is a genuine masterpiece, despite the fact that it was, and still, contemporaneously 'problematic.' So, there is that.

    And yet I didn't know what to expect from this book. I read some of the pre-publication press and felt that it was a book that might be provocative simply for the sake of the provacateur; that is, it would take the piss out of the millennial generation, "generation wuss" as BEE calls it, but do little less but that. Did I really want to hear someone rant and rave about young people for 250 pages? I can't say it was on my list of things to do.

    I think it was after BEE got slammed by the New Yorker, caught in like a deer in headlights as he was berated by an interviewer for writing a book about Trump when he, in fact, did not know that much about Trump, or politics for that matter, that I thought perhaps there is something here that everyone is missing. It's like that with the media sometimes, so maybe the very thing BEE was railing against, this culture of conformity, of not being able to handle points of view that differ from one's own, was actually proving the book's point. Before it was published. That by the very instance of people trying to 'cancel' BEE -- this, years after his actual book "American Pyscho" was canceled (only to be picked up by another publisher) -- the press was doing the author's work for him (note post-Empire, getting canceled is the new American Dream).

    So I picked it up. And found myself pleasantly surprised. It wasn't, as the media suggested, a book about Trump, but a book only partially about Trump, in as much as it's a commentary on contemporary culture, a time and place in which Trump is president and so many folks are in disbelief. What little there is about Trump is mostly about people's reaction to Trump, how BEE's friends and associates, business partners and other randoms (i.e. people on Twitter) -- but most especially his ultra-liberal millennial boyfriend -- lost their collective shit over Trump's rise, and what that says about... us.

    When I say the book is only partially about Trump, you ask what else it's about well, it's about BEE's upbringing, so it is halfway a memoir, but then it is also about movies -- especially movies -- and so it also a book that reads as criticism, but then there is a lot about BEE's writing experience, what he was going through at different times that different books and films he was working on were created. I found this stuff especially compelling, as it was sandwiched between what, in the end, is in fact a rant of sorts about identity politics, identity culture, victim culture and a cult of permormative rage, if not performative excellence, that BEE sees an entire generation falling taking part in.

    Another big thing the book is about is aesthetics, and how people have lost -- if they ever possessed it in the first place -- the ability to discern whether something is good or bad based on whether it actually is good or bad. BEE's argument is that identity has replaced aesthetics, and that younger generations no longer know good from bad, they only know whether they agree or disagree. A movie need not be especially good or even interesting so long as one agrees with the point the filmmaker is trying to make.

    This was a point that I found myself agreeing with wholeheartedly, though I don't know if the examples BEE used are the best ones; even still, I know he used them because they were such big tentpoles (the movie "Moonlight," for example), and one could only make a giant point by using a giant example, something everyone is familiar with. Is it a secret that movies such as those perform well with left-leaning critics because they play on the prejudices of limousine liberals in coastal cities for dramatic effect? No. BEE's argument is that movies like that, while seemingly progressive, are anything but -- to be progressive while making a movie with gay characters would be to make homosexuality beside the point (i.e. tell a good story, not necessarily a 'gay' story). That this is a blind spot here gets into BEE's privilege, which he acknowledges; even still, it's telling that so many of his examples fall on one side of the color line.

    In the end, the book's point seems to be that you cannot judge a person based on things they write or even what they say, but rather what they do -- BEE doesn't care who you voted for, he cares who you are. Which is probably why he can be on one side of the spectrum (or, in his defense, not on the spectrum at all) while his significant other can be on the other and they can both, at the end of the day, lay down next to one another in peace (or one would hope).

    Interlaced with that is, as I said, part memoir and part reflections on Hollywood, New York, September 11th, a wide assortment of things. BEE seems obsessed with truth, as opposed to representations of truth, which is why I think a good portion of the last quarter deals with Charlie Sheen's breakdown, a kind of post-mortem on the last time a celebrity actually said and did what they felt, and ultimately paid the price for it (he did, in fact, contract HIV).

    If I had one criticism, it'd be that while Ellis asserts, multiple times, that he isn't in a 'bubble,' he may actually be in one. Because for all his ranting about the millennial generation, it would seem, at least by reading this book, that only a certain portion of the millennial generation -- affluent, educated, elite -- are what he is being exposed to. Because for every young person who needs a trigger warning before viewing anything questionable, there is another one, lost in some wayward demographic that marketers, media people and most especially writers these days, don't care much about. And they don't give a second thought to any of that stuff. This demo, I'd argue, has always existed and always will exist, and I posit that it's this demo that took to books (and really movies) like "American Pyscho" in the first place.

    This demo was never left and it was never right, it was somewhere undefined, only interested in things that were interesting, and it's the reason why people like Kanye, and even myself, took any interest in Bret Easton Ellis at all.
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PDF Frozen 2 Original Middle Grade Novel Kamilla Benko Grace Lee Books

By Barbra Burks

PDF Frozen 2 Original Middle Grade Novel Kamilla Benko Grace Lee Books



Download As PDF : Frozen 2 Original Middle Grade Novel Kamilla Benko Grace Lee Books

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An original middle grade novel bridging the epic adventure of Frozen with the upcoming Walt Disney Animation Studios film Frozen 2.


PDF Frozen 2 Original Middle Grade Novel Kamilla Benko Grace Lee Books


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  • Hardcover 416 pages
  • Publisher Disney Press (October 4, 2019)
  • Language English
  • ISBN-10 1368043631

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